The Cramps File Under Sacred Music: Early Singles 1978-1981

By Gumshoe, featured Writer, Tiny Mix Tapes

It’s so FRICKIN’ embarrassing, but here it is: I first heard The Cramps via an episode of Beavis and Butthead, and I thought I hated them. They were extreme yet bare. No bass? Sacrilegious, dude! And who is that Lux Interior guy? Looks like a greaser.

Yep, The Cramps were not happening for me in the early- to mid-1990s. That’s why it’s so great to finally reconnect with them through File Under Sacred Music, a collection of early singles that presents the meat of the matter. Not that I hadn’t already realized their importance; it’s more that I just never had that Cramps-freak buddy to sit me down, smoke a doob with me, and show me the rough, rowdy ropes of the fuse-lit quartet. This CD does just that for me, and I don’t even have to pay it 40 bucks for the “stuff.”

To my ears, the closest thing to The Cramps in the years 1978-1981 would, perhaps surprisingly, be Nick Cave & The Bad Seeds, both because I’m too young to have scooped up all the obscure artists of the period (sadly I wasn’t a two-year-old punk hipster), and because a track like The Cramps’ “Fever” bares more than passing similarities to “Red Right Hand.”

The revved up rockabilly fuck-punk side of The Cramps, however, is more of a straight-up beast that owes to Elvis, The Blasters, The Trashmen (“Surfin’ Bird” is covered memorably right out of the gate), Buddy Holly & The Crickets’ “Susie Q,” hillbilly boogie of the 1940s, and maybe even Carl Perkins. They wore leather jackets, shirtless underneath, and probably indulged in Pomade as if they were members of the cast of The Outsiders. If they drove at all, I’m sure the vehicle was cherry-red. Although few probably considered this at the time, to me they seem to be the antithesis to Stray Cats, hearkening to the past for inspiration yet mining the darker territories Brian Setzer would find anathema to commercial viability.

Or maybe it’s not that their influences were dark; maybe they were just dark motherfuckers to begin with and decided to take a (with the hindsight of history) relatively innocent template and horse-fuck the hell out of it. Whatever their aims, the quartet certainly achieved just that. Even their version of “Lonesome Town” — a soundtrack favorite of Tarantino and O. Stone — is caked in grit you can’t scrape off no matter how much you turn down the treble.

“You ain’t no punk you PUNK,” screams Interior at one point… And I tell you, he’s right. Find out just how right, and fill in the gaps in your record collection besides, by giving this hot-rod collection a spin.

01. Surfin Bird 02. The Way I Walk 03. Human Fly 04. Domino 05. Lonesome Town 06. Mystery Plane 07. Fever 08. Garbageman 09. TV Set 10. The Mad Daddy 11. Drug Train 12. Love Me / I Can’t Hardly Stand It 13. Twist & Shout 14. Uranium Rock 15. Goo Goo Muck 16. She Said 17. The Crusher 18. Save It / New Kind of Kick 19. Rockin’ Bones 20. Voodoo Idol

Source: Tiny Mix Tapes

About Sad Man's Tongue: Rockabilly Bar & Bistro - Prague

We are a Bar and Bistro where old school meets the new school, dedicated to preserving the roots of rock and roll and it's modern adaptations as well as preserving the cultural identity of our neighborhood through our food, the the principles of the slow food movement. A little bit of rockabilly and retro combine with the kustom kulture of today, in an atmosphere devoid of Pretension.
This entry was posted in Album, CD, Music, Punk, Punk Rock, Pyschobilly, Rockabilly, The Cramps and tagged , , , , , , , , . Bookmark the permalink.

2 Responses to The Cramps File Under Sacred Music: Early Singles 1978-1981

  1. Pingback: The Cramps File Under Sacred Music: Early Singles 1978-1981 | Inked Girls |

  2. I just fell in love with them.
    I’d love to see that Bevis and Butthead episode

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